EDGE Providence

With a scattered, unfocused, and sometimes cruel script, you might feel like you are the one suffering from a hangover.

The late Andrew Breitbart says a few times in a new documentary devoted to him that he has two modes: "Jocular, and righteous indignation." There’s plenty of both in this film, but not much to convince or compel.

Tone-deaf and cringe-worthy, this unfunny comedy might have been wrenching if cast as a drama.

We get the distinct feeling Sarah Polley thinks that she’s made a modern "Rashomon." It’s actually just a really good episode of "Maury."

"Frances Ha" is a quirky, coming-of-age story that suffers from comparisons to HBO’s "Girls."

An unnecessarily gloomy sequel to the fun first installment, this voyage of the starship Enterprise is an okay journey but it just doesn’t have the epic feel it needs to match newcomer Benedict Cumberbatch’s amazing villain.

Leave it to Katherine Brooks’ "Face 2 Face" for a loving push to get to the heart of life’s journey. It could be that all Brooks needs is some love and a switch-up of "medicate" to "meditate."

Based on the true story of convicted contract killer Richard Kuklinski, Ariel Vromen’s "The Iceman" gives Michael Shannon the opportunity to prove, beyond a shadow of a doubt, why he is one of the most talented performers working today.

This film is so amped up it could fly right into the fourth, fifth, and sixth dimensions, were they available. As it is, "Gatsby" has to content itself with a magnificent foray into 3D.

A pretty entertaining little thriller about a group of friends partying in Chile when an earthquake tears the city apart and leaves them scrambling to stay alive.